Dickens on 'The Noble Savage'


Charles Dickens on

‘The Noble Savage’

Reproduced from New Nation, no. 1, summer 1980. Originally appeared in Household Words magazine


 

To come to the point at once, I beg to say that I have not the least belief in the Noble Savage. I consider him a prodigious nuisance, and an enormous superstition. His calling rum fire-water, and me a pale face, wholly fail to reconcile me to him. I don't care what he calls me. I call him a savage, and I call a savage a something highly desirable to be civilised off the face of the earth. I think a mere gent (which I take to be the lowest form of civilisation) better than a howling, whistling, clucking, stamping, jumping, tearing savage. It is all one to me, whether he sticks a fish-bone through his visage, or bits of trees through the lobes of his ears, or bird's feathers in his head; whether he flattens his hair between two boards, or spreads his nose over the breadth of his face, or drags his lower lip down by great weights, or blackens his teeth, or knocks them out, or paints one cheek red and the other blue, or tattoos himself, or oils himself, or rubs his body with fat, or crimps it with knives. Yielding to whichsoever of these agreeable eccentricities, he is a savage – cruel, false, thievish, murderous; addicted more or less to grease, entrails, and beastly customs; a wild animal with the questionable gift of boasting; a conceited, tiresome, blood-thirsty, monotonous humbug.

Yet it is extraordinary to observe how some people will talk about him... There was Mr. Catlin, some few years ago, with his Ojibbeway Indians. Mr. Catlin was an energetic, earnest man, who had lived among more tribes of Indians than I need reckon up here, and who had written a picturesque and glowing book about them. With his party of Indians squatting and spitting on the table before him, or dancing their miserable jigs after their own dreary manner, he called, in all good faith, upon his civilised audience to take notice of their symmetry and grace, their perfect limbs, and the exquisite expression of their pantomime; and his civilised audience, in all good faith, complied and admired. Whereas, as mere animals, they were wretched creatures, very low in the scale and very poorly formed...

It is not the miserable nature of the noble savage that is the new thing: it is the whimpering over him with maudlin admiration, and affecting to regret him, and the drawing of any comparison of advantage between the blemishes of civilisation and the tenor of his swinish life...

Think of the Bushmen. Think of the two men and the two women who have been exhibited about England for some years. Are the majority of persons – who remember the horrid little leader of that party in his festering bundle of hides, with his filth and his antipathy to water... conscious of an affectionate yearning towards that noble savage, or is it idiosyncratic in me to abhor, detest, abominate and abjure him? I have no reserve on this subject, and will frankly state that, setting aside that stage of the entertainment when he counterfeited the death of some creature he had shot, by laying his head on his hand and shaking his left leg – at which time I think it would have been justifiable homicide to slay him – I have never seen that group sleeping, smoking and expectorating round their brazier, but I have sincerely desired that something might happen to the charcoal smouldering therein, which would cause the immediate suffocation of the whole of the noble strangers...

The noble savage sets a king to reign over him, to whom he submits his life and limbs without a murmur or question, and whose whole life is passed chin deep in a lake of blood; but who, after killing incessantly, is in his turn killed by his relations and friends, the moment a grey hair appears on his head. All the noble savage's wars with his fellow-savages (and he takes no pleasure in anything else) are wars of extermination – which is the best thing I know of him, and the most comfortable to my mind when I look at him. He has no moral feelings of any kind, sort, or description; and his 'mission' may be summed up as simply diabolical.




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