-> The Ministry of Sound ‘rave’ nightclub empire is run by James Palumbo. His Managing Director is Mark Rodol. In the months before the 1997 general election, James Palumbo helped to organise the Labour Party campaign to young people. He also gave the unlimited free use of a chauffeur-driven silver Rover to Labour’s media staff at Millbank Tower. It was promptly commandeered by Peter Mandelson, the party’s chief election planner and Tony Blair’s eminence grise, although the disco-dancing bachelor’s ‘aide,’ Benjamin Wegg-Prosser, maintained that “Peter is not the only person who uses it.”
Michael G. Levy

M&G Records boss, Michael Levy. Tony Blair’s chief fundraiser

The Mind-Benders: Who Controls Hollywood. Mayer, Eisner, Roth, Ovitz, Levin...

Media control and censorship!

The mind-bending power of the masters of the media

The media-power in Great Britain and elsewhere

The Mind-Benders is an analysis of the media power in Great Britain. Written in 1997, it details how (and why) the information we receive via the media is censored and distorted. If we are to avoid insidious totalitarianism we must be aware of the enormous control over every form of mass media the Jews possess and – in any democratic society under such powerful influences – who are the real manipulators of political power.

Who controls Hollywood?

Since the vast majority of the films shown on British cinema and TV screens are imported from America, it is impossible to comment on the power of the mass media to mould and direct public opinion in Britain without looking at the ownership of the US movie industry, centred in Hollywood.

In his acclaimed book, An Empire of Their Own, How the Jews Invented Hollywood, Neal Gabler pointed to the Jewish origins of Hollywood, under movie pioneers such as Louis B. Mayer and Irving Thalberg. “Of 85 names engaged in production,” a 1936 survey noted, “53 are Jews. And the Jewish advantage holds in prestige as well as numbers.” Little has changed since then; in a recent Premiere magazine ‘Special Power Issue – ranking the 100 most powerful people in the ‘Industry’ – the top twelve were Jewish. No black or British industry executives were even ranked. Every so often, a Gentile journalist or actor comments on this, and is invariably forced to make a grovelling apology within a matter of hours.

Marlon Brando, for example, hit the headlines in April 1996 when he denounced the Jewish-run movie establishment for exploiting racial stereotypes, telling the Larry King Show that:

“We have seen the nigger, we have seen the greaseball, we have seen the chink, the slit-eyed dangerous Jap... but we never saw the kike because they know perfectly well that’s where you draw the wagons around... Hollywood is run by Jews, owned by Jews and they should have greater sensitivity.”


The largest media conglomerate is the Walt Disney Company, whose Chairman and CEO is Michael Eisner. The Disney empire, headed by a man described by one media analyst as “a control freak,” includes several television production companies (Walt Disney Television, Touchstone Television and Buena Vista Television), its own cable network and two video production companies.

As for feature films, the Walt Disney Picture Group, headed by Joe Roth, includes Touchstone Pictures, Hollywood Pictures and Caravan Pictures. Disney also owns Miramax Films, run by the Weinstein brothers.

When the Disney Company was run by the Gentile Disney family prior to its takeover by Eisner in 1984, it epitomised wholesome family entertainment. While it still holds the rights to various classic children’s favourites, under Eisner – whose personal fortune is estimated at $405 million – the company has expanded into the production of graphic sex and gratuitous violence. And Disney’s recent productions aimed at children have developed an extremely unhealthy ‘politically correct’ message. The much-hyped Pocahontas, for example, distorts historical fact out of all recognition in an unmistakable bid to inculcate an anti-white guilt complex in its young audiences. It is even rumoured that Eisner et al are planning to make a new production with a ‘Holocaust’ theme!

On the back of its film production, Disney has built a worldwide entertainment empire, owning Disneyland, Disney World, Epcot Center, Tokyo Disneyland and Euro Disney. The company sells well over a billion dollars worth of consumer products every year, principally books, toys and clothing. Some of the profits from this enormous operation funded Eisner’s 1995 takeover of Capital Cities/ABC Inc., to create a media conglomerate with annual sales of $16.5 billion. Capital Cities/ABC not only controls 235 TV stations in the United States, but also has extensive interests in European TV companies.


Probably even more influential than Disney is the international media leviathan Times Warner, Inc. Chairman of the Board and CEO is Gerald Levin. Warner Music is by far the world’s largest record company, with fifty labels, the biggest of which is Warner Brothers Records, headed by Danny Goldberg. Warner Music’s Interscope Records was an early promoter of ‘gangster rap,’ a genre with lyrics which explicitly encourage Blacks to commit acts of violence against Whites and treat women with callous contempt. These deeply unpleasant messages are often reinforced by video images courtesy of Stuart Hersch, President of the company’s video production operation, Warnervision.

In addition to music and huge interests in US cable TV, Time Warner is heavily involved in the production of feature films through Warner Brothers Studio. Its publishing division, dominated by Editor-in-Chief Norman Pearlstine, is the largest magazine publisher in the world.

Time Warner and Disney were among the most generous backers of Bill Clinton’s 1996 re-election campaign, a victory which, according to the Jewish Chronicle of 1st November, 1996, took “Jewish influence in Washington” to “historic highs.”

Time Warner’s Gerald Levin gained an enormous amount of extra power with his takeover of Turner Broadcasting System in 1996. Founded by self-made media tycoon Ted Turner, TBS included the highly influential TV news network CNN, an operation which for a few years provided a potential alternative to the otherwise completely Jewish-controlled American news network. Although Turner is a Gentile, his career – and the reaction of the rival media bosses to it – provide an important insight into the monopolistic attitude of the people who have developed a stranglehold on the electronic news and entertainment industry.

Having made a fortune in advertising and cable TV, in 1985 Turner made a bid to buy CBS – an acquisition which would have given him control of an enormous sli